When comparing the woman to a fish, it could be thought of as both amusing and a bit depressing. Fish, to some, are creatures that are gruesome and slimy.
It seems humorous, and a slightly over dramatic, to compare a fish to a human being. However, the comparison is also somewhat depressing because it comes across that the woman thinks she resembles an ugly fish in her old age. The figurative language of the poem is clear in describing the many truths and lies in the battle with aging. Word choice can make a big impact on the way a piece of literature can move, or not move, a reader.
The poem Mirror has many examples of diction that stress the anxiety the elderly woman feels in aging, which is a feeling many women can relate to. The word unmisted sticks out because this concept relates back to the idea of the dealing with the truths and lies of aging.
The mirror is one of the only things that does neither convey the truth of her aging and personality, nor criticize the woman for her outward appearance or her inner personality. Agitation is a strong word used to describe the anxiety the woman feels due to her old age and withered appearance.
The word rise means to gradually get higher and higher, or to come closer and closer. This is a great way in describing how old age is in the process of catching up with the woman. Gradually and slowly, time is getting the best of her and affecting her external appearance. MAC seems to be suggesting that one can be beautiful at any age simply by using their make up. These kinds of slogans from cosmetic brands are the exact reasons woman feel agitated with the fact that the affects of aging are slowly rising up, or catching up with them.
It is appealing how Plath seems to be relatively candid with her word choice, and her use of honest diction over powers any of the sugar coating that cosmetic corporations employ.
The poem is appealing due to the ways in which Plath successfully uses personification, figurative language, and diction in her writing to emphasize this idea. In using the three previously stated literary techniques in a likeable way, Plath persuades the reader to develop an appreciation for the struggles that the elderly woman feels. Not only is aging and appearance an issue for the woman of the poem, but also for women around the world.
Therefore, it is likely to that readers can relate to it, but its only effect could be to provoke bad memories and make one feel uncomfortable. It is crucial that the reader attempts to exclude the thoughts of her tragic death and almost permanent state of severe depression when reading her work in order to give it a chance.
However, it seems to just stare at you from the page. Also knowing that, all her work acquires a sinister context, which is indeed disturbing: Almost all of these are destructively negative, which makes her poetry disturbing.
She callously rejects hope, cruelly picks out the worst aspects in everything, her soul aches is fear of loss of those rare transient moments of inspiration that kept her alive.
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The final scene is the reconciliation ritual with the world. She is about to be interviewed by the doctors and dismissed from the hospital as cured. Many readers, however, will find her as lost and alienated as she was at the beginning.
The Bell Jar is striking in its appeal. It is a Salingeresque tale of a young woman who does not accept things as they are and will not compromise. Unexpected, startling beauty is the gift of self-renewal that may be called miraculous.
One of the most frequently anthologized early poems, it demonstrates the gift of the visual. Like many of the poems in The Colossus , it is formally controlled. It uses a unique stanza form of five-line stanzas with repeating rhymes of Abcde throughout the poem; off-rhymes are common. This pattern helps to convey the impression that this is a diminished world with haphazard arrangements.
She admits to wanting some kind of communication with the Other: Still, it is a redemption for the watcher, who hopes to be relieved from boredom and despair by beauty. Nevertheless, they do occur, and they redeem time from emptiness, filling it with purpose, even love. The poet is graced not by the traditional figures of inspiration but by the bizarre, distorted visitors of a surrealist painters. The equation suggests that the poet associates women, distortions, inspiration, magic, and poetry.
The poem is written in eight-line stanzas containing roughly four stresses per line and some rhyme, notably rhyme of the fifth and seventh line in each stanza. The mother, too, tried to teach her children how to keep irrational forces at bay, chanting at the hurricane winds that threatened to blow in the windows.
The power of unreason is too strong, however; the art it engenders too compelling. The daughter is thus set apart, unable to continue the mother-daughter tradition of benign, trivial art. The conclusion of the poem indicates that the girl is still surrounded by her otherworldly company, the distorted muses, who are witches, fates, visitors from the world of madness.
She indicates that she has learned not to betray her difference:. The bees sting a bystander in the transfer of a hive; this shakeup in the bee world facilitates the renewal of the queenship, a renewal in which the speaker participates. During this transfer, the bees sting a third person, a scapegoat figure; the stinging of the scapegoat enables the hive to renew itself and replace or awaken its sleeping queen. The speaker refuses to identify with the drudges: The queen dies and is replaced by another queen, but the queenship is immortal, going through generation after generation.
When the bystander is stung, he takes away the pain and exorcises the male at once. The rebirth, or recovery, follows: More terrible than she ever was, red Scar in the sky, red comet Over the engine that killed her— The mausoleum, the wax house. The hive expends part of itself to expel the male and free the queen. The queen, liberated by the removal of the male, is triumphantly empowered.
The dead father who has suffocated his daughter for thirty years of her life is exorcised. Because her father died when he still had mythic power to the child, the woman must deflate and exorcise the father figure somehow.
She must go through a symbolic killing of the powerful ghost in order to be free. It uses harsh, insistent rhyme to hammer its message home. Its banging, jangling rhythms unnerve the reader and lodge in the mind. Read aloud, the poem sounds like a chant, a ritual chant of exorcism and purification. In this poem and some others, Plath seems to be using words for their apotropaic value—as charms to ward off evil.
A series of metaphors presents the relationship between father and daughter in graphically negative terms. The vampire and the victim are perhaps the most telling images, for she sees him as a dead man draining her living blood, calling from the grave for her to join him. The father was unreachable when alive; she could not talk to him: Plath was eight when her father died. Unable to find and escape him simultaneously that way, she tried a kind of voodoo: The end of the poem is a triumphant assertion of rejection and freedom:
Sylvia Plath Homework Help Questions What are the figures of speech used in the poem "The Mirror" by Silvia Plath?In detail please! A figure of speech in poetry is also known .
Sylvia Plath Sample Essay: Doubts and Fears Revealed with Startling Honesty Sylvia Plath Sample Essay: Personal Experience Of Suffering and The Redemptive Power Of Love (Paid Content) Your feedback is valuable and welcomed.
- Sartre's Theories and Sylvia Plath's Poem Lady Lazarus After reading Sartre's Essays in Existentialism, I evaluated Sylvia Plath's poem "Lady Lazarus" according to my . Sylvia Plath: Poems Sylvia Plath Sylvia Plath: Poems essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of Sylvia Plath's poetry.
Sep 10, · Sylvia Plath (Also wrote under the pseudonym Victoria Lucas) American poet, novelist, short story writer, essayist, memoirist, and scriptwriter. The . Initiation Sylvia Plath Essay Words | 4 Pages Chantal Chau Analysis of a Key Passage, Initiation by Sylvia Plath In Initiation by Sylvia Plath, the author suggests that conformity and having friends is a wonderful idea, yet the idea of having an individual identity and being an individual is stronger.